It’s impossible to overstate just how much of a cultural juggernaut Guns N’ Roses were back in the 80’s. With a constant presence on MTV, radio airplay, magazine covers, and the nightly tabloid entertainment shows, it was really the last time that a rock band would completely dominate
Episodes
The crew returns to explore Zen metal, debate re-recorded classics, and recount an awkward Paradise Lost VIP party. Plus: is modern indie pop just Journey in disguise?
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As the final days of 2025 begin to wind down, this is the time of year where well adjusted adults often reflect upon the experiences and memories of the last 11 months and twenty-something days. With the relentless pace of the 24 hour news cycle, the seemingly endless parade of
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I have a somewhat controversial opinion. Mind Burns Alive was my AOTY when it came out; and it's leaps and bounds my favorite Pallbearer record. It's just a powerhouse of emotion and innovation. I hated it at first. I was like, "What the hell is
Listening Notes
Rob's been trying to get me on the William Elliott Whitmore train for a while now, so I wasn't entirely surprised that he picked Hymns for the Hopeless from his bag of tricks for me to listen to this week. I have thoughts about it... As
Listening Notes
Art is not supposed to be safe. It’s been probably 20 years since I first heard that declaration, but man, does it still ring true today. We live in a timeline where for many of us, discomfort can be a choice. We can recoil into our own personal echo
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Support your favorite bands on Bandcamp Friday's.
The crew returns to explore Zen metal, debate re-recorded classics, and recount an awkward Paradise Lost VIP party. Plus: is modern indie pop just Journey in disguise?
Art is not supposed to be safe. It’s been probably 20 years since I first heard that declaration, but man, does it still ring true today. We live in a timeline where for many of us, discomfort can be a choice. We can recoil into our own personal echo
It’s been almost 2 weeks since Ozzy and Black Sabbath graced the stage for (presumably) the last time, and since then I’ve had a fair amount of reflection about “Back to the Beginning”. Not just the magnitude of what the event signifies, i.e. the cessation of a
The website for a (mostly metal) music review podcast.
Aaron and Rob discuss Black Sabbath, Ozzy along with the following albums: Black Sabbath, Seventh Star, Cross Purposes and The Devil You Know.
It’s been almost 2 weeks since Ozzy and Black Sabbath graced the stage for (presumably) the last time, and since then I’ve had a fair amount of reflection about “Back to the Beginning”. Not just the magnitude of what the event signifies, i.e. the cessation of a
I went into this album knowing I would love it. It was just a matter of how much.
Occult doom at it's finest.
Aaron and Rob discuss our early friendship over metal, Silent Echoes, Skull 3, The Spin, and Idag.
Released in January 1986, Seventh Star was the 12th full length studio album from the mighty Black Sabbath. I’m pretty sure that I bought this record on vinyl at my local Albertson’s grocery store. My memory is hazy, but I recall that there was a cutout bin of
Fresh off of Black Sabbath’s colossal “Back to the Beginning” farewell sendoff, it’s hard to imagine a time when Sabbath wasn’t the biggest Metal band in the universe. If we rewind back to the mid/late 80’s, Black Sabbath was a mere footnote in the juggernaut
Stay heavy and wear quality ear protection.
Doom in it's final form.
The big bang of Heavy Metal.
Dark, heavy, and emotional draining.